Print/Online Journals

2009

  • Border Senses: “Accessories.”
  • Fairy Tale Review: “Duyong” #1-5.
  • Poets & Artists: “Tocaya.”
  • The November 3rd Club: “Black Jesus Speaks to Typhoon.”
  • The Rumpus: “The Night Manny Pacquiao KO’ed Oscar de la Hoya.”
  • Tinfish 19: “A Chorus of Villagers Sing a Song from Another Time Now Only a Memory,” “She: Chant/Fragments.”

2008

  • Border Senses: “We, Spoken Here.”
  • Eleven Eleven 5: “Accessories,” “Worry,” “Corpse Eater.”
  • Fourteen Hills: “Pakikisama.”
  • XCP: Cross Cultural Poetics 20: “On Feminism, Women of Color,  Poetics, and Reticence.”

2007

  • Achiote Seeds: “Some [disjunctive] notes on the avant-garde, narrative convention, feminism, desire, and ambivalence.”
  • Asian Pacific Writers Network: “12 July 2006, Wednesday 9:27 A GMT-08.”
  • Blue Fifth Review: “Blogging: My Epistomological Mini-Crisis about American Constructions of the Un-Masculine Asian Masculine”
  • In the Grove: “A Genesis of We, Cleaved.”
  • MiPOesias: “The Bamboo’s Insomnia,” “The Bamboo’s Insomnia 2,” “Killer of Ferdinand Magellan,” “We Spoken Here,” and “Upland Dance.”
  • MiPOesias (Asian American Issue): “Epistolary,” “The Fire Around Which We All Gather,” “(t)here.”
  • Notre Dame Review: “again she tells the first story.”
  • Pacific Review: “Manila Mango.”
  • Octopus Magazine 8 : “Estuary,” “Cherry,” “Pink.”
  • Switchback 6: “Hole,” “War Sonnet,” “Lullaby”
  • Womb Poetry 1: “In the City, a New Congregation Finds Her,” “Having Been Cast, Eve Implores 2.”
  • XCP: Cross Cultural Poetics 18: “Notes on an Untitled Manuscript in Progress.”

2006

  • 2nd Avenue Poetry: “in slivers,” “Hummingbird Diwata,” “the true color of the sea,” “the true color of the sea 2,” “incantation: for the sea.”
  • Action Yes: “Selvedge,” “(t)here,” “Eve Speaks,” “Eve Speaks 2,” “she laments unnumbered losses.”
  • American Poet: The Journal of the Academy of American Poets: Excerpts from Poeta en San Francisco.
  • Blue Fifth Review: “[kundiman],” “[objet d’art: exhibition of beauty in art loft victorian claw tub],” “[diwata taga ilog at dagat],” “[hulaan],” “[on viewing subjective catastrophe].”
  • Boxcar Poetry Review 3: “Having Been Cast, Eve Implores.”
  • Boxcar Poetry Review 1: “Eve’s Aubade.”
  • Crate: “She Laments Unnumbered Losses.”
  • HOW2: “[galleon prayer],” “[a compendium of angels],” “[diwata taga ilog at dagat].”
  • Melancholia’s Tremulous Dreadlocks: “in the city, she collects confession,” “in the city, she transcribes, a composite of impossible lovers,” “Harana for Eve,” “Harana for Eve 2.”
  • MiPOesias: Excerpts from Poeta en San Francisco, “Parable.”
  • New American Writing 24: Excerpts from Diwata.
  • Parthenon West Review 4: Excerpts from Poeta en San Francisco.
  • The Drunken Boat: Excerpts of Diwata.

2005

  • Asian Pacific American Journal: “Your Absence in Saint Helena.”
  • Chain 12: “E-Dialogue Over Bitter Chocolate.”
  • Shifter Magazine: “[prayer to san francisco de asís],” “[why choose pilipinas?]” “[why choose pilipinas, remix[,” “(ā – zhə – fīl).”
  • Versal 3: “Manila Mango.”
  • Word Riot: “[ave maria],” excerpts from Diwata.

2004

  • Maganda: “[Lullaby in SoMa for Paloma],” “[galleon prayer],” “Visitation,” “[Lakas Sambayan 2003].”
  • Nocturnes (Re)view of the Literary Arts: “[The Siren’s Song],” “[Lullaby in SoMa for Paloma],” “[Puso].”
  • North American Review: “Requite.”

2003

  • Monolid: “Tenderly.”
  • Muse Apprentice Guild: “Why I Have No Paintings on These Walls,” ” Flow,” “Foretellings,” “Untitled War Poem #1,” “Still,” “Found in Kearney’s Voice,” “Unveiling,” “Sonnet #7: Silver,” “Embers,” “Bones Poem #2.”
  • Our Own Voice: “Benilda Becomes an American.”
  • Shampoo Poetry 17 : “drool,” “Going outside to find the sky.”
  • Tamafyhr Mountain Poetry Irregular: “Penumbra,” “Lunacy,” “Feral.”
  • Times New Roman: Poets Oppose 21st Century Empire, Nth Position: “Cathedral.”
  • Tinfish 13: “Notes From a Forum on the Pilipino American Context of Urban Development,” “No Longing.”

2002

  • Can We Have Our Ball Back: “Tenderly,” “Coils,” “Topography.”
  • Interlope 8: “Anthropologic.”
  • Interlope 7: “Now Showing,” “In Paradise,” “Arithmetic.”
  • Shampoo Poetry 14: “Sonnet #1: ‘Love’ ‘Sonnet’,”Sonnet #27: Plot.”
  • Shampoo Poetry 12: “Offering.”
  • Shampoo Poetry 11: “Olive Oil.”

2001

Anthologies

  • 100 Love Poems: Philippine Love Poetry Since 1905 (eds. Gémino Abad and Alfred Yuson): “Tenderly.”
  • Babaylan: An Anthology of Filipina and Filipina American Writers (eds. Nick Carbó and Eileen Tabios): “Sirena (The Mermaid) Sings.”
  • Bay Poetics (ed. Stephanie Young): “SoMa Pilipino: A Community’s Center of Gravity.”
  • Cheers to Muses: Contemporary Works by Asian American Women (eds. Asian American Women Artists Association): “Orange Sonnet.”
  • Coloring Book: An Eclectic Anthology of Fiction and Poetry by Multicultural Writers (ed. Boice-Terrel Allen): “Wedding Sonnet,” “Wedding Sonnet 2.”
  • Eros Pinoy (eds. Virgilio Aviado, Ben Cabrera, and Alfred Yuson): “Ritual.”
  • Espiritu Santi (ed. Alfred Yuson): “Now Showing,” “Brown Man’s Burden.”
  • Father Poems (ed. Alfred Yuson): “Easter Sunday,” “Red Demon.”
  • Field of Mirrors (ed. Edwin A, Lozada): “A Little Bit About Lola Ilang,” “Auto/Bio,” “Call It Talisman (If You Must).”
  • Going Home to a Landscape: Writing by Filipinas (eds. Virginia Cerenio and Marianne Villanueva): “Kauai 1,” “Kauai 2.”
  • Graphic Poetry (ed. Andrew Townsend): “How Deficit, or Attention Deficit Disorder,” “11:25 pm Thursday February 20, 2003.”
  • In Our Own Words: A Generation Defining Itself (ed. Marlow Peerse Weaver): “Eve’s Visitation.”
  • InvAsian: Asian Sisters Represent (eds. Asian Women United of CA): “Girlfriends,” “Memoir.”
  • Not Home But Here: Writing From the Filipino Diaspora (ed. Luisa Igloria): “101 Words That Don’t Quite Describe Me.”
  • Pinoy Poetics (ed. Nick Carbó): “The Building of ‘Anthropologic’”.
  • Red Light: Superheroes, Saints, and Sluts (ed. Anna Camilleri): “The Siren’s Story.”
  • Sawi (eds. Ada J. Loredo, BJ A. Patino, Rica Bolipata-Santos): “‘Love’ ‘Sonnet’ 65.”
  • The First Hay(na)ku Anthology (eds. Jean Vengua and Mark Young): “true love hay(na)ku,” “after bulosan.”
  • Turnings: Writing on Women’s Transformations (eds. Luisa Igloria and Renée Olander): “Ritual.”
  • Zoland Poetry No.1 (ed. Roland Pease): “polyglot incantation.”

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The above image, "Octo in my mind," is by Dino Ignacio.

Poeta y Diwata

Barbara Jane Reyes blogs here on poetics, culture, and community.

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